"Names of Hearts" feels like it occupies a sweet spot in the vast world of modern media, and here's why I'm excited about it. As a Media student, I'm drawn to stories that celebrate strength and growth, especially for female characters. My film's protagonist is an independent woman on a path of self-healing, and that's a journey I believe resonates with audiences today. They're looking for stories that move beyond the tired trope of the damsel in distress. This woman takes charge of her own narrative, her own healing. It's a story of resilience and strength, something I see reflected in so many women around me.

But love stories aren't just about the woman, and the male lead in my film is another exciting element. Masculinity is being redefined on screen, and I wanted to create a character who embraces his vulnerability. He's not the stoic hero of the past, but someone with depth and emotional complexity. This shift allows for a richer exploration of love and connection. The audience can see how vulnerability strengthens the bond between the characters, not weakens it.

Ultimately, "Names of Hearts" is a blend of the familiar and the new. It explores the universal themes of love, healing, and connection, but through a fresh lens. The strong female lead, the emotionally complex male character, and the captivating Vietnamese setting elevate the story beyond a typical rom-com. It offers something new and exciting for viewers, all while retaining the emotional core that makes us connect with a great love story. I believe this unique combination has the potential to resonate with audiences worldwide, offering a breath of fresh air in the modern media landscape.

Every journey has its start and its end, however, I truly believe this is just a stop in my way of achieving a higher level in the media world. These might be the last words from an AS-level student, but it certainly is not the final departure.

Until then, you will see me again.